Thursday, December 12, 2013

final essay

Throughout the history of literature, authors have looked for newer and bigger ways to showcase feelings, thoughts, circumstance, and how they relate to the main character leading them often time down the road of the supernatural,. The word supernatural explicitly means “(of a manifestation or event) attributed to some force beyond scientific understanding or the laws of nature.” In my opinion the evolution into the supernatural, was almost natural, what with metaphors, similes and (especially) personification. (Personification can be seen in “Original Sin: A Short Story” in stanza one line three “The nightmare stumbles past, and you have heard”, giving the word nightmare life as if it walking alongside you.) None the less, all three of these important circles of literature are a comparison to real life, and how they can be seen. Arguably, another evolution in the telling of the supernatural is the twelve archetypes created by authors Pearson and Marr. These twelve keys, from the book “What Story Are You Living?” are carcasses to exploring characters in a deeper level, especially when decoding the purpose of the supernatural entity.
In the book Coraline, the Other Mother is supposed be a representation of Coraline’s biggest and wildest desires, which was a family that attended to her and paid attention to her concerns. This “woman” created a world very similar to the one that Coraline comes from, with exaggerated versions of the neighbors she met, when she first moved into her new flat. Unfortunately, this beast, masked as a woman was only a “clay figure” image to that of her real mom, with spider tendencies, who’s only plan was to take Coraline forever until it happened to get bored. This clearly goes back to that “be careful what you wish for” line that we have all been taught from a young age. It also shows how the other mother was playing the archetype of the destroyer all along. (Page 120; “The whole genre of horror stories, about monsters, deranged, or villainous people who do unspeakable things to others.”) Also in this book was the black cat, which plays the archetype of sage (page144; “stories about teachers and their impact on the young for good or ill.”) in the story. This cat is sometimes Coraline’s only hope to clarity in her adventure to finding her parents, and also serves a sense of security for Coraline in a world where everything has changed all around her.
In the Movie Spirited Away, No Face was a spirit without a place to be. His archetype would be best described as an orphan (page 90; Stories in which the dispossessed help one another even though their efforts may not be successful.”) No Face finds, from the first time seeing Chihiro, a sense of home which prompts him to follow her to the hotel she finds a job at. His first scenes are on the wood bridge, and he seems to be standing there with no one paying any mind to him in anyway. This shows that he is too an outcast, even in the society that he belongs to. As the movie progresses he begins to lose control and begins to eat people, in his quest to sole being with Chihiro (who let him into the hotel.) She to then leads him out of the hotel and he spits everyone out. He follows her on her quest to the other side, and eventually finds a home with Granny. The connection between Chihiro and No Face shows that they were looking for their respective homes, where the latter was more literal, the former was more interpretive.( Finding a way to restore her parents, who have been turned into pigs for eating the spirits food.)

These creatures are symbols and representations of how the protagonist deals with there on going situation whether it is a challenge or guiding light. When reading a piece be sure to read into every character and get to know them so that their purpose is understandable in the story.

Work Cited

Pearson S. Carol and Marr K. Hugh. What Story Are You Living?. Center for Applications of Psychological Type, Inc. 2009 Print

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